and they go into unbelievable states of remorse; they kneel and cry and ask for forgiveness again and again in an exaggerated and pathological manner. If this very important characteristic is present, then Crocus is the only remedy to think of.
At other times, the patient might want to say something, but then suddenly feels that the words in his mouth seem too aggressive to him, unnecessarily harsh and unjustified, and so he represses them. Their temper tantrums are often very frightening to other people because they start without any observable cause. Patients describe these tantrums as like a wave that seems to overwhelm them; ‘A trifling cause that would usually have made her laugh, now excites a very violent anger, almost rage, so much so that she almost loses her consciousness; later she is astonished herself about this eruption’.
Clarke reports he once had a case of a young artist who had become subject to violent outbursts of rage in which he would take up a knife to throw at his mother, and almost immediately afterwards would be abjectly repentant. The trouble was completely removed by Crocus.
Compulsive or hysterical laughter is another special feature in the Crocus pathology. There are ‘manifestations of eccentric gaiety, of immoderate and involuntary laughing’ (Stapf). ‘Exceedingly talkative’. ‘Very cheerful mood, inclined to joke’. ‘He is in a very cheerful mood and is constantly talking and joking for himself, and he does not realise this until other people tell him’.
There is, moreover, a peculiar susceptibility to music. A symptom from the proving: ‘If any one happens to sing a single musical note, she begins involuntarily to sing, and then is obliged to laugh at herself; she, however, soon sings again in spite of her determination to stop’. Patients may even sing during their sleep. When they are really very angry, they may sometimes repeat a cheerful melody in their minds over and over,